Showing posts with label Magic. Show all posts
Showing posts with label Magic. Show all posts

Wednesday, February 5, 2014

Review of Thirteenth Child by Patricia C. Wrede

Scholastic
Thirteenth Child (Book One: Frontier Magic)
by Patricia C. Wrede
3 Scribbles

This highly original fantasy re-imagines the evolution of the United States. In this world, thirteenth children like Eff are destined to bring only bad things to their communities and are persecuted, whereas seventh sons of seventh sons, like Eff’s twin Lan, are revered. Why? Magic is critical to the survival of the pioneers out west and the future of America, and magic is directly tied to birth order. So when Eff’s family moves to the frontier, she is relieved to have a fresh beginning, but for how long?

The best part of this tale is the re-imagining of the frontier America...and it’s also the worst part of the tale.  I enjoyed seeing how Wrede’s frontier included magical creatures like steam dragons and mammoth—a very cool twist on American history. I found it incredibly clever that magic was used to protect settlers while they developed the land for farming. I even enjoyed the blending of actual American history with fictional occurrences; for instance, the alteration of the names of American Presidents after Thomas Jefferson was comical.  Yet, despite this awesome alternative American history, I felt as if it might have been better if Eff’s world was another country not unlike America, but on a completely different planet. Why? I know I’m not the only reviewer to mention this, but there were no Native Americans at all in the story. None. It seems absolutely morally irresponsible to exclude a major part of the American population, even if it is a re-imagining. If I were a Native American reading this novel, I’m pretty sure I would take offense to being left out.  If I were an African American person, I’m not sure I’d like reading this novel and not knowing why the historical issue of slavery is not addressed. It is as if every “uncomfortable” issue in America’s history is simply ignored, and not only does that bother me, but it takes away from the richness of the plot. It’s as if Wrede replaces diverse peoples with three diverse magical theories, Aphrikan (African) Avrupan (European), and Hijero-Cathayan (Asian/Hispanic).  Is it too much to hope that future novels in the series might remedy this problem?

The story has also been criticized for its abundance of characters, but I didn’t feel the characters were too many or too few. Those characters critical to the story were very well-developed, like Eff, Lan, William, father, and Eff’s bossy sister, Rini. Readers from large families or those who know large families understand that when so many children are born, there is a feeling of disconnect between the younger and older children. This feeling of distance is relayed to the reader through a brief mentioning of the older children who have moved on with their lives, without delving into their persons. I really enjoyed the characters of Miss Ochiba and “Wash” the traveling magician. What I really didn’t like was that Miss Ochiba’s past wasn’t touched upon overmuch, and she is written out of the story just when the reader is getting to enjoy her. There is clearly a connection between Miss Ochiba and Wash, and this is hinted at but never explained. Hopefully, this connection will be expounded upon in the second book in the series and Miss Ochiba will make a comeback. Although I imagine it is too much to hope the author will discuss their history in connection with slavery—since slavery is a horrible yet undeniable fact of American history.

Some have also said that this novel does not have a plot. I disagree. The plot is the coming-of-age of a frontier magician girl. What the story lacks is an abundance of conflict, and the opportunities for conflict are overlooked. Readers thrive on conflict, of course, and conflict builds interest in the story. For instance, at the onset of the novel it is mentioned that Eff’s uncle advised she be “done away with.” The police are called when she is five years old to take her to prison. The doing away with (murder) of thirteenth children is touched upon but not labored over. I would have liked to have seen this savage practice illuminated more.  Is this killing or imprisoning of “Thirteens” a regularity? What does this say about the government? The citizenry? Instead of expounding on the issue, the author moves past it with little fanfare. What? Glaze over the murder of innocents? Also, the story takes place over an unusually long span, from the time Eff is 4-ish until she is 18, and many years are sort of skipped past with little discussion of Eff’s maturity or growth. At one point she spends an entire year in bed with rheumatic fever! Granted, such illnesses were a common issue at this time, but her illness stalls the story. Additionally, Eff is one of the few characters in a fictional work I have read about who has no friends to speak of (unless that fact is critical to the conflict). What sorts of conflicts could have arisen between classmates and friends in her new frontier home? Thus, the novel at times reads like chapter after chapter of back-story leading up to what eventually comes during the last few chapters—an actual problem to be resolved.

All of these issues combined lead to my 3 Scribble rating. However, I must say that I will be reading the next two novels in time, since I would like to see how the author takes the story and perhaps remedies some of the issues that exist here.  Readers of Westerns and historical fiction will enjoy this work. I’ve heard it said that it’s a nice blend of Harry Potter meets Laura Ingalls Wilder; I wouldn’t go to those extremes, but the flavor of both is certainly there.  Great for upper elementary and middle school readers alike!

Monday, January 20, 2014

Review of The False Princess by Eilis O'Neal

Egmont USA
The False Princess
by Eilis O'Neal
5 Scribbles


Nalia is the princess of Thorvaldor, trained in everything a princess must know to be a successful future queen; she has never known life outside of Thorvaldor’s walls. But, shortly after her sixteenth birthday, she is told that her life is a lie. Her parents are not her parents, and she is not the princess—she was chosen to stand in for the real princess so that a prophecy may be avoided. It seems an oracle had predicted that the real princess would die in her fifteenth year, and now that Nalia is sixteen, it is safe to bring the real princess home to the palace. In the course of one day Nalia loses everything she has ever known, including her name. Now she is Sinda Azaway, and she is sent to live with her aunt in Treb, a poor village in the countryside.  How will she ever adjust to this new life?
What appears on the surface to be a simple riches to rags story is so much more! Readers are connected to Sinda’s plight right away. We want her to succeed in her new world, and like Sinda, we only feel a little anger at the crown for betraying her. She is our friend; a kind girl who deserves some measure of happiness in the world, especially since she has been mistreated so badly by those who should have loved her. The real surprise in the story is when Sinda discovers she has magic, and in order to control it, she must leave Treb and return to the city to seek training. Once there, she reunites with a lost friend and discovers that things are not as they seem in the palace. There is still an imposter in the royal circle, and only Sinda can stop the conspiracy to overthrow the crown. Thus, Sinda must dig deep and find her spine, for it seems only she can save the kingdom. The author does an amazing job at plotting—weaving in elements from earlier in the story that seem irrelevant, but later are critical to Sinda’s success. Secondary characters are very well drawn, and the villains are easy to loathe. Although this seems to be a stand-alone novel, it could easily grow into a series. In fact, a series could emerge from a secondary character alone. Another great factor is the novel's unpredictability. At first blush the reader may think they are engaged in a sort of fairy tale, but it doesn’t take long to see that this novel is a tightly crafted mystery filled with intrigue and excitement around every corner. It’s got it all: magic, sword fights, mystery, and even a little romance.  It’s one of those books that will make you late for…well anything…because it’s impossible to put it down.  Readers who enjoy works like Princess Academy by Shannon Hale and Grave Mercy by Robin LaFevers will find much to love in this book!

Tuesday, January 14, 2014

Review of This Wicked Game by Michelle Zink

This Wicked Game
by Michelle Zink
4 Scribbles
Dial Books/Penguin Group


Claire Kincaid is a direct descendent of the notorious New Orleans voodoo queen, Marie Laveau--so you would think that she'd be a follower of voodoo like her parents. The truth is, even though she works in their shop, she has no real interest in the craft. She's quite different from the other teens, or "firstborns" in the historically powerful New Orleans "Guild" or voodoo families. Unlike the other firstborns, she doesn't work on spells or practice the "recipes" inhereted by her family; in fact, she's pretty normal. However, one day while working in the shop, strangers arrive asking for ingredients known to be used in very dark spells. Claire becomes suspicious and soon discovers a plot to destroy the Guild, and she may be the only one who can stop it.

The setting of the novel adds to it's dark, mysterious flavor; those who've heard of New Orleans know about the city's rich history and magical voodoo roots. Zink merges this history with the present day, creating a novel that is naturally filled with tension and intrigue. Adding to the tension is Claire's secretive relationship with Alex, one she keeps secret because she doesn't think his family will accept her--after all, she's virtually rejected her heritage. Claire simply doesn't believe she has any real talent or the power needed for the craft. Yet, when the Guild elders turn their heads after Claire's warning about the sinister strangers who visit the shop, she feels the need to take a stand. It's a new day in New Orleans, and clearly the firstborns are going to have to protect their own. Teens will connect to Claire as she seeks to find a bond with the other teen Guild members, always before so foriegn to her. Who hasn't felt like the black sheep at one point or another? And as the tension mounts and the deadly plot to destroy the Guild is uncovered by the firstborns, Claire's insecurity comes to a head. As the last descendent of Marie Laveau, she may be the only one with the necessary resources to save them all--but can she overcome her doubts? Fans of paranormal mysteries will enjoy this highly accessible work, and those who aren't big fans of historical fiction won't be put off by the reference to Marie Laveau, since the novel is set in the present. I'm hard pressed to find a read alike--perhaps the closest offering might be Garcia & Stohl's The Caster Chronicles.

Monday, November 19, 2012

Review of The Girl of Fire and Thorns by Rae Carson

Greenwillow Books
The Girl of Fire and Thorns
by Rae Carson
5 Stars

Lady Elisa is special. She is the bearer of the Godstone, a stone placed in her navel by God which marks her as someone who will perform an important act of service during her lifetime. Elisa loves God and studies constantly to know God’s will for her life. But she has been sheltered, and there are things she doesn’t know about the Godstone. There are enemies that would happily kill her to harness its power, and Lady Elisa is in danger. Now, married to the handsome King Alejandro of Joya d’Arena as the seal to a bargain that will provide troops against the enemies of both countries, Elisa wonders, when will her act of service occur, and will she, like most Godstone bearers, die young?

Before I go on and on about how pleased I am to find a tough, independent, resilient, and overweight protagonist who is also a princess, let me first give an enthusiastic shout out to the author of this phenomenal novel; hello and thank you, Rae Carson (OH-IO)! I feel certain that Ms. Carson is going to be one of those YA novelists from the great state of Ohio who stands arm and arm with other gifted YA writers from this state—Cinda Williams Chima, Margaret Peterson Haddix, Sharon Creech, Angela Johnson, Sharon Draper to name a few—all of whom make me proud to be a Buckeye.

First, let me say that while the synopsis of this book (above) makes it sound like a religious book, I would argue that the religious overtones do not at all come off as overly didactic. In fact, when religion is referenced at all, it comes off as highly generic in nature; faith becomes the greater theme that Lady Elisa deals with. Lady Elisa’s character seems naturally concerned with faith, it suits her—especially at the start of the story when she is married off to a handsome stranger who doesn’t really desire her at all, and she is taken to a strange country. Faith is all she has. Will King Alejandro ever desire her? After all she is very, very fat. Like many of us, when Elisa becomes stressed out, concerned, or simply bored, she eats—and because of this, she is a fat bride. Thus, her self-confidence suffers, at least at first, but her faith and intelligence trump her insecurities and help to make her a formidable future queen against her enemy—the neighboring country Invierne. The dynamic changes Elisa goes through during the action in this novel (and the action and conflict between Joya d’Arena & Invierne is the primary focus of the work) make her perhaps my most favorite female protagonist ever!

The secondary characters in the novel are equally interesting. It’s not hard to see early on that the handsome King Alejandro, who Elisa worries over in the start of the novel is a flake. He is spineless and cannot take a stand, even when it comes to acknowledging his own marriage. Indecisive, adulterous, cowardly, and inexperienced, Alejandro cannot hold a candle to Elisa.  Equally as interesting, but not nearly as spineless, are Elisa’s devoted nurse, Ximena, who clearly has a secret past, and the spiteful Cosmé, the handmaiden to her husband’s mistress who seems hell-bent on Elisa’s destruction. But perhaps the most endearing character is Humberto—a humble desert boy who treats Elisa with love and honor, whether she is obese or thin. Who doesn’t love a guy like that?

The writing in the novel is incredibly strong. Unlike many other YA novels that include such disturbing plot twists as arranged marriage, espionage, and war, as this novel does, sensitive situations are dealt with tactfully, and there are absolutely no sexually explicit scenes.  The author uses Spanish (or perhaps Italian?) words to add an exotic feel to the narrative, and this, coupled with the fantastic descriptions of deserts and sandstorms made this Ohio native feel like I’ve traveled to lands far away. Each chapter was short and punctuated with enough action and intrigue to keep me on the edge of my seat.  

Happily and in her own words, “God is not done with [Elisa] yet”—book two, Crown of Embers is already on the shelves, and I’ve just ordered my copy.