Showing posts with label coming-of-age fiction. Show all posts
Showing posts with label coming-of-age fiction. Show all posts

Monday, April 29, 2013

Review of the Raven Boys by Maggie Stiefvater

Scholastic Press
The Raven Boys
by Maggie Stiefvater
5 Scribbles
Spoiler Alert!


Blue’s eccentric fortune-telling-family has warned her for as long as she can remember that the first boy she kisses, her first love, will die. So when she sees the spirit of a boy destined to die in the upcoming year on St Mark’s Eve, she has to wonder if he’s the one from the prophecy. Regardless of the boy Gansey’s fate, she knows without a doubt that she will be sure to have no part in his impending doom. What she doesn’t know is that destiny has other plans—and she may not have the control over her fortune that she thinks she does.

Stiefvater is one of the most talented artists in YA. She's a painter, a musician, and a writer. But more importantly, she is a phenomenal novelist. What makes her work superior, in addition to her amazing characters, is her gift for taking a work that is paranormal or sci-fi and keeping it grounded in reality.  When Blue and Gansby inevitably meet, the obvious conflict in the story, the kiss, is offset by the highly engaging quest that these two, along with the other Aglinby boys undertake. Gansby believes that an ancient king is asleep along a powerful ley line, and that the one who finds him will be granted a boon.  Stiefvater takes this quest archetype and breathes new life into it by weaving previously exclusive sci-fi elements with a murder mystery and coming-of-age plotline.  Teenagers weary of the typical sci-fi/quest fare will take this brew and gulp it down! Additionally, the characters in this novel are highly engaging, believable and relatable.  For instance, Blue is an incredibly relatable character, even though she lives with an unusually eccentric family. Blue’s mother and aunts are psychic, and yet I never wonder at the skills of this brilliant hodge-podge of eccentric ladies who all live together in estrogen-soaked harmony. When Blue inevitably meets Gansby and his friends, these characters are equally riveting, if not relatable. I love Adam, the poor, tortured academic driven by ambition, and Ronan, the miserable teenager who loves a good fight, and even soft-spoken Noah—who I found to be as solid a character as his more flesh-bound friends...they each became real to me.  In fact, the more central characters, Blue and Gansby, receive less focus than secondary characters, and yet this works quite well for this story and builds the readers investment in the outcome.  Most readers can relate to the struggles of one character or another, in spite of the otherworldly events that take place throughout. Who hasn't longed for more money or struggled financially? Who hasn’t longed to be like someone else, or just to "fit-in"? Who hasn’t tried to try stand apart in order to feel special? Who hasn’t known of an abused friend or been abused themselves? And perhaps most importantly, who hasn’t found camaraderie in a group of diverse friends?  It is these elements that unify the story, lend it power and magnetism, and make it work. And it is these elements that will draw readers (and me) back to the next installment, The Dream Thieves, coming out in September of this year.

Wednesday, April 17, 2013

Review of The Genius of Little Things by Larry Buhl

CreateSpace Indepedent
Publishing Platform
The Genius of Little Things
b
y Larry Buhl

3 ½ Scribbles


Tyler Superanaskaia (it’s Russian) has spent the years since his mother’s death in foster care, or the “foster-go-round” as he calls it. Now Tyler is approaching graduation and that means starting his life post-foster-system exactly the way he’s always dreamed it: living on his own, attending Caltech and becoming a successful immunologist. Yet, in order to achieve these dreams, he must first earn money for his future living expenses, write an award-winning admissions essay and present an academic record that will earn him a scholarship. Will Tyler’s quirky personality and peculiar sense of “normal” get in the way of his dreams?

Told in a series of Tyler’s amusing lists, botched admissions essays and narration, the novel is carried largely through the strong sense of voice permeating each page. Tyler’s character is eccentric to say the least; his is so analytical that it is difficult for him to come down to the level of those who are less intelligent but more streetwise. He uses extremely advanced vocabulary when it is unwarranted, and he is so literal that he often misses the meanings of euphemisms—and yet, he has very clever and ironic nicknames for key people in his life. For instance, he calls his current foster parents, Carl and Janet “FoPas.” At times this dichotomy is confusing to the reader, at other times it is indicative of a touch of Asperger’s Syndrome or at the very least a symptom of living in homes that serve to isolate him from healthy, positive socialization. As it stands, this distinction is not made but left to the reader to determine. Nonetheless, this strange character dynamic does not limit the humor in the story. More sophisticated readers will enjoy Tyler’s ironic musings, his clumsy relationship with Rachel, and his disastrous and hysterical attempts at creating stronger extra-curricular experiences for his resume. In short, they will stand firmly in Tyler’s corner. Minor characters in the story provide interesting compliments to Tyler’s struggle, showing that all individuals have battles of their own, from Carl and Janet, whose marriage is struggling in the wake of their son’s death, to Levi, whose uber-religious parents hold him in chains.  The only problematic element in the story is Tyler’s flippant reaction to Milagro’s death; his lack of concern is clearly caused in part by his short-lived, yet disastrous use of drugs. And perhaps in reality this is what happens—drug abusers sometimes don’t suffer consequences to their actions or recognize how their actions affect others—but such imperviousness on Tyler’s part does not ring true with the Tyler who is developed throughout his time working at the nursing home, the Tyler who falls in love with Rachel and the Tyler who reaches out to Levi. But for this one odd puzzle piece, I’d have given this novel a full four scribbles. Readers who enjoyed such novels as The Perks of Being a Wallflower by Stephen Chbosky and Looking for Alaska by John Green should definitely check out this novel, by screenwriter and playwright Larry Buhl.

Thursday, October 11, 2012

Review of Where Things Come Back by John Corey Whaley

Antheneum Books for
Young Readers
Where Things Come Back
By John Corey Whaley
2 Scribbles

Since this novel has received so many awards, and since it is narrated in the voice of a teenager stuck in a small town, I was excited to read it. I grew up in a small town and couldn’t wait to escape it! And while I will say that Whaley does capture the feeling of cynicism felt by many teenagers stuck in small towns who have little vision of the future, that feeling of cynicism is pretty much the only thing I could identify with in the novel.

The story is told mainly through the eyes of Cullen, a bored teenager who works at a local convenience store and hangs out with his friends. Cullen and his crew are amused by the current excitement in their hometown, Lily, over the possible reappearance of a long-extinct species of bird named the Lazarus Woodpecker. Alternating chapters are told in third person and describe the lives of Benton, raised to be a missionary by his dictatorial and overly-zealous father and Cabot, college-boy player extraordinaire turned nutcase. Eventually, the bizarre connection between the three narratives becomes clear.

Although the author skillfully weaves truisms into the dialogue that I appreciate as insightful, usually through the words of Cullen or Gabriel, I still have difficulty identifying with characters in the novel. Gabriel’s character is too briefly seen, Lucas and his girlfriend are ever-present, but have little to say, and reading about Cullen is, in the words of his own mother, “like watching someone with multiple personalities.” Even Ada and Alma, Cullen’s female companions for lack of a better description, are barely distinctive—not only do their names have similar meaning—but they both take advantage of Cullen and have little interest in him as a person. In short, the characters are very flat, and none of them (with the exception of perhaps Cabot) are particularly dynamic. Perhaps Whaley is attempting to write a modern Holden Caulfield, and indeed the text does have a literary edge to it, but Cullen is no Holden. The symbol of the Lazarus Woodpecker is a bit over-the-top, and frankly the symbolism of many of the names, for instance Gabriel, while perhaps necessary to incorporate the religious zeal, are overstated. Let’s face it, most teens just want a great story, one they can connect with, one they feel accurately reflects issues and concerns in their own lives, and one that moves. Perhaps teens may connect with Cullen’s feelings of negativity and isolation, but only if they can continue past the first few chapters. Couple the dragging plot with the dull cover, and without those award winning stickers, I doubt teens would pick up this novel, let alone finish or applaud it. Perhaps Whaley’s work would be more appropriate for older readers with more patience to trudge through the heavy handed symbolism and bizarre circumstances that bring this work to its completion.  

Tuesday, August 14, 2012

Review of Paper Towns by John Green

Dutton Books
Paper Towns
By John Green
5 Stars

When Q spends the night helping gorgeous Margo Roth Spiegelman, his next door neighbor and secret crush, get revenge on her peers, he sees a side of her that he never imagined existed. He can’t wait to return to school and really become part of her world—but suddenly—instead of Margo, Q has a series of clues that lead him on a bizarre quest to find out who Margo really is behind all of the illusions.

Quention, aka, “Q” has idolized Margo since they were children; to him she is beautiful, brazen, and perfect. And it’s not just Q; everyone at their small Florida high school either worships or envies Margo, and why not? Tired and perhaps broken, Margo has no desire to perpetuate the “paper girl” image that others have substituted for who she really is.  And so, through a brilliant series of clues that will keep the reader on the edge of their seat, Margo forces Q to “find her”—to begin questioning his view of first Margo and then other people he thought he knew. And yet, despite heavy and incredibly insightful themes about projection, roles, social norms and growing up, the story has no shortage of hilarity that will be sure to result in peals of laughter. Each character contributes to the fun; best friend Ben is obsessed with scoring a prom date and insists on calling women “honey bunnies,” best friend “Radar” has his own obsession with Omnictionary, an online wiki constantly in need of Radar’s intellectual gifts, and even Q’s clueless (yet strangly intelligent) parents contribute to the humor.  The fantastic dialogue that parleys between these three friends, coupled with the typical high school culture of recklessness  and adventure make this an authentic and entertaining road trip no high school senior will want to miss.  Fans of Green's previous works like Looking for Alaska and An Abundance of Katherines will not be disappointed.

Thursday, July 12, 2012

Review of Three Times Lucky by Sheila Turnage


Dial Books for
Young Readers
Three Times Lucky
by Sheila Turnage
5 Scribbles
Sixth grader Mo (Moses) Lebeau is a sleuth by nature—she’s been searching for her birth mother, the woman who tied her to a billboard post when she was an infant during a hurricane, by launching messages in a bottle addressed to her "Upstream Mother." It’s a good thing she’s a super-sleuth too, because Mo’s skills come in handy when her neighbor is found murdered, and it’s Mo Lebeau on the case, (with the assistance of big-city detective Jo Starr that is)!

While the murder mystery in the story is enough to keep readers hooked, it isn’t the mystery alone that will keep the pages turning in this charming story. Mo’s voice is so unique, so touching, and so hilarious that it’s simply fun to follow along to see what laugh-out-loud phrase or idea she’s going to come up with next, and yet— she’s still plenty intelligent. Her voice and her actions display a special spirit and a sensitivity that is beyond her years, especially when it comes to her best friend Dean and the pain he endures at the hands of his alcoholic father. And Mo alone isn’t the only exceptional character—each character in the story is quirky, interesting, and with just the right amount of Southern flavor. Take the Colonel and Miss Lana, Mo’s adoptive parents, and Miss Rose, Dean’s mother who despite their eccentricity, or perhaps because of it, illustrate that blood doesn’t make family, and it does indeed take a whole community to raise a child. Readers who enjoyed Moon Over Manifest by Clare Vanderpool and Dead End in Norvelt by Jack Gantos will gobble up this tale and beg for more tales of Mo. And in my humble opinion, this one may be a contender for the Newberry folks!

Tuesday, May 22, 2012

Review of Henry Franks by Peter Adam Salomon


Flux
Henry Frank
by Peter Adam Salomon
5 Scribbles
To be released September 8, 2012
Henry doesn’t remember the accident that gave him the scars on his body, and he isn’t sure why he is losing feeling in his hands. What he does know is that his mother died in the accident that caused his father to become eerily absent and caused Henry to forget. Something is not quite right on St. Simons Island. Could that something be connected with the series of murders that have been reported?

One of the most refreshing aspects of this gruesome mystery is the voice. Unlike so many novels now told in the first-person, "I" narrative, this novel is told from the outside looking in. This outside view, coupled with the sparse dialogue between the main character Henry, and those he speaks with gives readers a more crisp view of the action, but also a more limited view, very appropriate for a mystery. Clues are planted early, but they are subtle, and I challenge readers to decipher their meaning before the revealing climax. The novel’s setting is also a strength—it certainly ratchets up the creep factor. The environment is hot and steamy, causing Henry’s scars to nag and itch, thus building the reader’s feeling of unease, and the impending hurricane, coupled with Henry’s loss of feeling, builds pressure on the reader to discover the killer. Salomon’s technique is clipped, with the only true narration appearing in news articles, which not only builds tension, but drives reader crazy trying to predict the killer and the ending, making for an extremely satisfying read. This is Saloman’s debut novel—a promising beginning to a writing career I plan to follow!

Wednesday, May 16, 2012

Review of Story of a Girl by Sara Zarr

Little Brown Books
for Young Readers
Story of A Girl
by Sara Zarr

5 Scribbles
One of the wisest women I have ever known used to say to me, “wherever you go, there you are.” And yet, who hasn’t felt like starting over in a new place might solve all of their problems at one time or another?  Deanna is only 13 when she gets caught in the backseat of a car with her older brother’s best friend, and from that moment on she is a slut in the eyes of her classmates. Worse yet, her father can’t even look at her anymore because he is so ashamed of her.  How long, and how far away from that backseat does Deanna have to get for people to see who she really is?
It isn’t difficult to have empathy for Deanna’s character. She speaks with a cynical voice that is wise beyond her years and angry, yet still belongs to a teenager. Even though Deanna is sexually experienced at an early age, she is still innocent in many ways.  What Deanna really needs is the love of her father and not his harsh judgment of her past.  She works relentlessly to restore her father’s love and respect, and yet she is continually punished, so much so that she begins to wonder if she really is as bad as what others (including her father) think she is. The setting also plays a huge role in the story contributing to the feeling of hopelessness and regret.  Deanna’s family is relatively poor, and this is evident in the peeling paint, messy yard, and stained carpeting of their home. Her brother, sister-in-law and niece live in the basement, and every member of the family has a poorly paying, but demanding job. No one really has time to spend listening to Deanna, and even her beloved brother seems to be moving away from her with his own family. Through Deanna’s eyes the reader has an authentic experience of a lower-middle class American. They see how difficult it is for struggling adults to keep their own disappointments from bleeding into the hearts of their children.  And better yet, they learn that the only way to change perception is to challenge it, to tell others who you are and who you intend to be, and usually that is done right where you are.

Review of Miss Peregrine's Home for Peculiar Children

Quirk Books
Miss Peregrine’s Home for Peculiar Children
By Ransom Riggs
3 Scribbles

Jacob grew up hearing his granddad, Abraham, tell stories about his narrow escape from the “monsters” that lived in Poland during WWII, and his flight as an orphan to a children’s home in Wales.  Granddad’s escape isn’t just from the Nazis, but monsters of the mythical type with bloodthirsty cravings for human flesh. When Jacob grows older he dismisses the stories about monsters as ravings from Granddad’s senile mind—that is until he witnesses a murder— and in his search for the killer, is forced to reconsider whether or not Abraham’s stories are actually true. 
There are three things that I find quite misleading about this book. The first perplexing point is most certainly the cover. Perhaps it is the intent of the artist to make the cover appear eerie and menacing, with the floating girl in vintage clothing, but what it actually does (in tandem with the long and lame title) is promote the book to primarily young female readers, even though the protagonist is a male, definitely not a good move on the part of the publisher. The third confounding element is the age of Jacob, the protagonist. At the start of the novel Jacob is an older teen using older-teen vocabulary and with an older-teen attitude. Imagine my disappointment when  Jacob seems to regress as the story moves on, acting more like a younger teen. Those errors aside, the action and the characters (including the monsters)  in the story are both excellent, feeling like a cross between the writing of Daren Shan in his Cirque du Freak series and Rick Riordan’s Heroes of Olympus.  However, I would argue that there is nothing spooky at all about the story. The concept of possible time travel, while not unique per se, is made more interesting when described as time loops that eventually close.  And while the ending leaves a few questions unanswered (also leaving an opening for a second book in a series) this book has won several awards, and there is movie buzz surrounding it, so my average rating may fall well below the accepted mark.

Monday, April 2, 2012

Starters by Lissa Price

Delacorte Books
for Young Readers
Starters
By Lissa Price
4 Scribbles
Imagine being curled up in flannels, belly full, checking texts, or updating your Facebook feed one last time before bed. It is good to be healthy, strong, and a teenager, good to chill out and drift off to sleep with no worries except what is going on this weekend. Now imagine that a new day breaks, the world has changed, and all the parents in the United States are dead or dying. That’s Callie’s reality.

A biochemical weapon released during a war on the United States kills everyone between the ages of 20 and 60. Only the young and very old live—having been inoculated first for the virus that government officials knew would come—and now children who don’t have concerned, rich grandparents, or "Enders," to care for them are homeless vagrants fighting against starvation and violence to stay alive in a world that could care less. Callie is desperate to provide for her sick brother, Tyler. She volunteers at a mysterious company, Prime Destinations, where for an outrageous amount of money an Ender can "rent" her body for a time and like a teenager again. The deal seems straight forward enough, and so despite her uneasiness at having someone living in her head and body for a while, Callie signs on the dotted line. And that’s when the fun begins. Callie is a strong female protagonist who isn’t easily swayed to go against her morals despite the fact that doing so might save her brother’s life. She is angry at having to live in a world with uncaring and selfish Enders, at not being allowed to work to provide for her brother, and yet she is resourceful enough to keep them both alive. A good thing she’s resourceful too, because in the world of Enders, nothing is as it seems. Plot twists keep readers plowing through pages despite minor details that might have been touched on (for instance, how do the Enders who are "renting" manage to keep their muscles strong and not starve while reclining for months on end?), and mysterious characters like Blake’s grandfather and the Man in the Mask, force readers to move forward in search of answer. Part survival story, part apocalyptic fare, what’s best about this novel is the unique slant. In a market filled with such novels, Price has truly engineered an exceptional tale with no contemporary comparisons—and that’s saying something, especially for a debut author! Couple all of this with the (cruel) teaser at the end and readers will be begging for a second installment.

Monday, March 26, 2012

Review of Dear America: Like the Willow Tree

Scholastic
Dear America: Like the Willow Tree
by Lois Lowry
4 Scribbles
Imagine having a birthday and one week later both of your parents are dead. This is what Lydia faces when the Spanish Flu kills her mother, her father, and her baby sister. She and her brother are sent to live with the Shakers, a deeply religious people who believe in a simple life. When Lydia and her brother first arrive at the Shaker village, Lydia is accepting but apprehensive about this new life. She becomes more apprehensive when one of the sisters takes the only memory she has of her mother—the ring gifted to her on her last birthday. Will Lydia learn to live amongst the Shakers, and more importantly, will her angry brother Daniel adapt to the lifestyle and tame his anger over their parents’ death? First let me say that I listened to this book on audio—and I think that the reader, Sara Barnett, has the perfect voice to portray the main character in the story, eleven-year-old, Lydia Pierce. Her voice sounds young and her impressive use of pitch and inflection reveals Lydia’s excitement, enthusiasm, and innocence perfectly. Through Lydia’s eyes, the reader imagines what it would be like to be a Shaker, to live a simple life, but one that is always working towards perfection, towards creating a heaven on Earth, as the Shakers do. I loved the story, but even I must admit that a failing of the book was idealizing the Shaker way. On only one instance does Lydia mention treating a classmate in a mean way, and instances where women gossiped in the laundry was treated more as concerned discussion than what it actually was—gossiping about another—which I’m pretty sure is not the Christian way no matter what sect you are in. Even with this optimistic slant, I enjoyed the story tremendously, it was an easy, entertaining read, with an Epilogue that will surprise the reader.

Review of Moon Over Manifest by Clare Vanderpool


Yearling
Moon Over Manifest
by Clare Vanderpool
4 Scribbles
A little girl with a transient past is sent to stay with a minister in a small town while her father pursues a railroad job. Sounds like a snoozer, doesn’t it? Think again. This winner of the 2011 Newberry Award is very engaging. On the first day of her arrival, Abilene, the protagonist, discovers a hidden compartment in her bedroom containing a cigar box with old letters and trinkets. Within the box, there is an indication that a spy, a.k.a. "The Rattler," lived in Manifest during WWI, and he (or she) might still be in town. Abilene begins to investigate the spy story, and in the process, meets a mysterious fortune teller who begins to reveal the secrets of Manifest, and maybe even the secrets that her father never told Abilene. The story then begins to be told partly in the present, and partly through flashbacks of Manifest’s past. Readers will see themselves not only in Abilene and her friends, but also in the characters of the past. What kid doesn’t love to investigate? Abilene and her friends poke their noses into very inch of the small town in pursuit of The Rattler, despite being warned to "leave it alone," and in the process have to wiggle out of some tight spots or else get in deep trouble. Abilene’s voice is a highlight in the story. Abilene "rhymes" when she is nervous; rhymes from the period add to the feel of living in that time, and Abilene is laugh-out-loud funny! For instance, when Abilene first sees the fortune teller, she comments that the sign on the door indicates the fortune teller is a "medium" but she feels like that is a bit optimistic—clearly, the woman is at least a size large. Such innocent, humorous word play riddles the book, and lends to the fresh feeling of being young, curious, and invincible. Best of all, by solving the mystery enshrouding Manifest, Abilene gains a new understanding of and connection with her father, and an awareness of what a true home can be.

Friday, March 16, 2012

Review of A Monster Calls: Inspired by an idea from Siobhan Dowd (audio version)


Candlewick
A Monster Calls: Inspired by an idea from Siobhan Dowd (audio version)
by Patrick Ness
5 Scribbles—a marvelous tribute to the memory of author Siobhan Dowd
Conor has a dark, shameful secret. It is the kind of secret he cannot share—even with his beloved mother, who is now very weakened by her battle with cancer. But some nights, right after midnight, a Monster appears in the midst of Conor’s room—and the Monster knows Conor’s secret. When the Monster comes walking, will Conor’s secret be revealed?

Conor’s mother is suffering through continuous bouts of chemotherapy, and Conor must take care of himself at home and at school—where the truth about his mother has alienated him from other students. If Conor is anything, it’s tough and stoic, which is why it isn’t hard to believe that when the Monster first appears to Conor, he isn’t frightened at all—in fact, the Monster, as gnarly, as sinister, as powerful as it is, doesn’t encounter Conor’s fear, but his defiance. Readers can easily empathize with Conor. Faced with his mother’s death, there isn’t much else that can scare him, so—bring it. And the monster does bring it, but not through the power of his huge, earth-encrusted fists, or his thick, ropey calves, or his booming, angry voice. No, the Monster brings the fear little by little, through stories that reveal truth. Little, tricky, unfair, ironic truths that tickle the back of Conor’s thoughts and beliefs, that threaten to challenge his idea of what is fair, stories that ultimately bring Conor to the brink of despair.

There is much to admire in this story: the occasional humorous dialogue that reminds the reader how normal and young Conor is and makes the reader laugh when they really want to sob, Conor’s rage and need to feel an outward pain as he accepts the abuse of bullies, the weight of Conor’s grief and fear of loss, the imagery of the Monster. Ness takes the archetype of the Green Man and weaves it into the story so naturally that one can see the symbols of life, nature, personal growth, and rebirth at every stage without breaking the magical tension of the story. The tale is a masterpiece, a merging of myth with present reality, with all of our human idiosyncrasies, our fears and weaknesses. Ness has created a true horror story that will haunt all who read it for years to come, and isn’t that what a truly fantastic "Monster" story does?

Jason Isaacs, the narrator of the story, does a phenomenal job with voice; he quickly changes from the ferocious Monster to the natural, boyish and sarcastic tone of Conor with ease. His female voice is also well done and credible with only a few instances where the transition is rocky. Particularly impressive was Isaacs vocal presentation of Conor’s dad, a former Brit, now ex-pat American whose accent and word choices have gone awry. I would most certainly choose a novel read by Issacs again.

Thursday, March 8, 2012

Review of Daughter of Smoke and Bone by Laini Taylor

Little, Brown Books
for Young Readers
Daughter of Smoke and BoneBy Laini Taylor
5+ Scribbles
Spunky and independent seventeen-year-old Karou has always been different from other teenagers. She has an extraordinary gift for drawing, she wears a string of wishes around her neck, she has blue hair, and she attends a prestigious art school in Prague. She lives alone and has no parents that she knows of; her only family consists of a small group of Chimaera—magical, beautiful creatures—that raised her in an enchanted workshop beyond a hidden portal, only to later nudge her into the human world. Karou knows something is missing in her life, but she accepts that there may never be answers to her questions, no solution to the loneliness that sometimes threatens to engulf her. And then one day she meets the handsome and fierce Akiva, and suddenly her world is helter skelter. Taylor paints with words the way master artists paint with brushes. Her descriptions are rich, textured, and raw, allowing the reader to travel through portals with the characters and to see through the character’s eyes. The plot has the flavor of an appetizer-sized portion of Romeo & Juliet with just a sprinkling of A Midsummer Night’s Dream. It is impossible to reach the end of one chapter and not have an overwhelming desire to turn to the next. Readers become emotionally invested in Karou. They will identify with her when she realizes for the first time that family is not perfect, and that we all must eventually face the world alone. They will laugh with Karou and her best friend Zuzanna as they groan over life’s challenges, and they will struggle with Karou to fully understand temptation, forgiveness and redemption. All of these lessons are interwoven into the tapestry of the story seamlessly without ever being in the least didactic, or simplistic or distracting. Taylor has taken the canvas of a novel and painted a lovely and matchless masterpiece. There is a reason that this novel has been voted one of the Top Ten Best Books of 2012—a unique and refreshing tale like this hasn’t been told since C.S. Lewis. If I had a bruxis I’d wish that the next book was already waiting for me on my shelf—but alas, I love eating too much to part with my teeth.

Thursday, January 26, 2012

Review of The House of the Scorpion by Nancy Farmer


Atheneum Books for Young Readers
House of the Scorpion
by Nancy Farmer
5 Scribbles
Where has this book been all my life? I hardly feel qualified to review it. Released in 2004, and winning the National Book Award, The Printz Award, the Locus Award, and a Newberry Honor Award ( and many, many others that we have no room to list here) the accolades speak for themselves, but if you want my two cents worth, here it is!

The geography is a little different in Matteo’s world. Mexico is now Aztlán, the United States is still the United States, but carved out in the middle is a new country named Opium. Opium is the brain child of a man called "El Patron," the dictator of Opium who now controls the growth and export of opium to its neighbors. Geography isn’t the only thing different in this future—Matt is not a regular boy, he’s a clone. Clones are no better than animals in this world, and because of this, once he is discovered, Matt is hated and abused by nearly all who meet him with the exception of El Patron, who dotes on Matt and protects him at the huge Alacrán mansion. What Matt doesn’t know is that El Patron, who is 140+ years old, has a hidden motive for his actions. And it doesn’t take long for Matt to realize that his life is no more valuable to El Patron than the brain-dead "eejits" who harvest the poppies. Farmer’s dystopian novel, ahead of the curve of so many of the sci-fi dystopian works now flooding the market, is written in such simple prose that younger and older readers will enjoy it. Her incorporation of themes that are still timely eight years after publication—medical ethics, immigration, homelessness, and government— are seamlessly written into the story in a way that forces the reader to understand how current technologies, while useful in solving many problems, may not be ethical in practice. Best of all are her amazingly drawn characters. Celia, Matt’s beloved nanny and surrogate mother, comes to life with her pet names, sweet whispers of affection, and fattening comfort food. No reader will leave this book without wishing Celia would wrap them in her arms and murmur, "mijo," or "mi vida." Tough, but wise and fair, Tam Lin is another character whose Irish lilt jumps off the page, and makes the reader stand up straighter. Best of all, the villains in the book are not exaggerated, their behavior is chilling, but not unbelievable in the world of the future or the world today. The action in the book is non-stop and the conclusion is bittersweet. My only disappointment is that Farmer is only now writing another installment.

Tuesday, January 24, 2012

Review of Bittersweet by Sarah Ockler

Simon Pulse
Bittersweet
by Sarah Ockler
5 Scribbles
Let’s face it, relationships can be tricky. No one knows that better than Hudson Avery, whose dad split a few years back to hook up with a female Elvis impersonator. If it weren’t for the strong relationships Hudson has with her mom, her bother Bug, and her best friend Dani, she’d have cracked long ago.  Thing is Hudson is a talented figure skater—but her dream of professional figure skating disappeared with her dad.  Now, she bakes bangin’ cupcakes at her mom’s diner as a form of therapy and to keep her mind off of the ice, but her future looks frozen in the present. Is Hudson doomed to serve cupcakes and cantankerous customers forever?  Ockler leaves the warmer settings of her two previous novels and takes readers into the frigid Watonka, New York winter to explore themes that are layered and sophisticated.  Readers will adore the tight friendship and quirky dialogue that Hudson and Dani share, and they will appreciate the close and protective relationship between Hudson and her baby brother, Bug.  At the same time, they will groan at Hudson’s self-serving attitude, will air-nudge Hudson in the right direction time and time again only to see her (ironically) risk repeating the mistakes of her past, and even the mistakes of her father.  Couple that conflict with Hudson’s physical attraction to the hockey team captain Will, and her more natural attraction to his co-captain Josh, and you have tension that threatens not only to melt, but to boil the ice.  This novel is anything but cold—-it reflects the values of loyalty, honesty, friendship, and communication--all mixed up with a batter of steamy attraction. Most of all, it reveals the truth in that old saying, “wherever you go, there you are.” 
The only thing missing is an actual cupcake on the cover--what gives with that?

Friday, January 13, 2012

Review of This World We Live In by Susan Beth Pfeffer

Harcourt Children's Books
This World We Live In
by Susan Beth Pfeffer
4 Scribbles

Imagine the last time you were grounded. Perhaps you weren’t allowed to go anywhere and were stuck inside with your parents and siblings. Maybe you were grounded from technology—no TV, no WiFi, no cell phone, no iPod, not even radio—the ultimate torture for misdeeds. Required to endure the company of family for three whole days, bored out of your mind and forced to read books, and not even Ebooks, but books on paper pages, you swore off misbehavior forever. Now, imagine those same circumstances combined, toss in no electricity and not enough food, and that is the world that the protagonists in this novel endure. Pfeffer forces characters from book one and book two in the Last Survivors series to come together into one household. The novel is again told through the voice of Miranda from the first book, and her diary pulls the reader back into what life is like a year after the moon is thrown off orbit. Miranda reveals towns devoid of life, rogue bands of individuals drifting around the country in search of food, startling acts of violence, and as Miranda discovers, special elite "safe towns" that are set up by the government through ruthless tactics I cannot imagine our government using. Tension mounts as the reader wonders, will Miranda and her new, blended family be able to tolerate living with one another in the same, cramped house? New relationships and alliances inevitably form, but will Miranda and her new family continue to survive in their small town, or will they be forced to move on like so many others desperate and in search of food? With suspense-laced pages, and nail-biting natural disasters, book three is no disappointment. What remains to be seen is if Pfeffer will indulge readers in a fourth book, and reveal the secrets being held in these freshly introduced "safe towns."

Thursday, January 12, 2012

Review of Racing California by Janet Nichols Lynch

Racing California
by Janet Nichols Lynch
Release Date--February 20, 2012
No Available Cover Image
3 Scribbles
Senior Evan Boroughs never imaged that his part-time job at Arizona Cycling Tours would introduce him to the gods of his beloved cycling universe, but during Winter Training camp in Phoenix one of those gods, Tour de France winner Dashiell Shipley, approaches Evan and invites him to join his team for the upcoming Tour of California race. Being a lifelong cycling fan, Evan has no choice but to say yes, but in doing so he risks losing his right to walk with his class during graduation, his girlfriend Glory to another guy, and an even larger dream—to be a doctor. Short chapters feature sweat-filled pages of muscle wrenching action as Evan realizes that competitive cycling is exactly what he knew it would be—pain. Far from cursing the experience though, Evan embraces pro cycling and finds reserves of strength he never knew he had. Idealistic about cycling from the start, Evan is in for an awakening. The world of professional sports and the gods that live there are not entirely guileless, and even gods can crash. The work is extremely well-researched and obviously written by someone who cycles and is familiar with the cycling world; that being said, even those unfamiliar with cycling will learn naturally and enjoy the story. The end of the novel leaves a few loose ends (who is Super Heckler Man?) and wraps up pretty quickly and neatly, but the action in the body makes up for the brevity of the ending.

Wednesday, January 4, 2012

Review of A Tinfoil Sky by Cyndi Sand-Eveland

Tundra Books
A Tinfoil Sky
By Cyndi Sand-Eveland
3 Scribbles
Release Date January 10, 2012
Twelve-year-old Mel cannot believe her good fortune when her mom, Cecily, decides to leave her jerk boyfriend and return "home" to Mel’s grandmother. Mel and Cecily have moved eleven times during the past four years, and Mel is absolutely thrilled about the chance to meet the grandmother she cannot remember. She dreams of a bedroom all her own, the same school all year long, friends, and a much-coveted library card. What she never dreams will happen is that her grandmother will turn them away, her mother will go missing, and her future will never be the same. The author weaves a tale reminiscent of Leslie Connor’s award-winning Waiting for Normal; and although not as powerful as that tale, the novel boasts realistic, flawed characters who are neither wholly bad nor wholly good. For instance, on the surface, Cecily is an admirable mother who showers Mel with affection and shares everything with Mel—her dreams, her singing talent, her hopes for the future—but all of this at the expense of stability. Additionally, it is easy to be angry with Mel’s grandmother, Gladys, because of her callous attitude, but at the same time see that the all-too-human Gladys fears being hurt once again. Best of all, the story is refreshingly honest, with a realistic ending readers will appreciate. Mel truly matures and outgrows her mother, realizing that sometimes the right choice for a hopeful future requires painful sacrifice.

Wednesday, December 14, 2011

Review of Divergent by Veronica Roth

Katherine Tegen Books
Divergent
by Veronica Roth

5 Scribbles!
Most of us look forward to turning sixteen so that we can get a driver’s license. Not so in Beatrice’s world—the world of the future. In this world, sixteen-year-olds choose one of five factions to pledge to. Beatrice’s family is a part of the Abnegation, or a selfless faction of people. The other factions include the "Erudite" scholars, the "Dauntless" warriors, the "Amity" peacemakers, and the "Candor," or brutally honest people. After a rigorous "hazing" of sorts, these freshly pledged teens will be accepted into their chosen faction and forever turn their backs on the past. Will Beatrice choose to be a part of her family’s faction, or will she risk breaking the hearts of her parents by "de-pledging" from Abnigation? Worse, will she be accepted by the faction she chooses or be rejected and end up homeless, poor, starving and factionless? Not only is Divergent a fresh spin on the recently overworked dystopian novel, but the action plows forward with super-sonic speed. It is impossible not to identify with Beatrice, aka, Tris, who has the same concerns that all teens, and indeed all humans have. Beatrice often wonders how others see her, if she fits in, if she is strong enough, smart enough, and if she can measure up to the standards that others set for her. It is her character that draws the reader in—from her plain appearance to her truly believable personality. While she is often kind and generous (like when she takes the place of a friend who is in a frightening situation), she isn’t forgiving of those who wrong her just because she was brought up to be selfless. It is just those realistic qualities that make the reader fall in love with Beatrice and embrace her as a friend. Couple the strong characters with the dizzying action that plays out on every page, and you have a work of sci-fi that rivals the recent smash trilogy The Hunger Games. I have no doubt that this gem is destined to end up on the big screen. My only regret is that Insurgent, book two, is not out yet (released May 2012). Sigh—how can I possibly wait this long?
The Author
Veronica Roth is a mere 22 years old—and while I shouldn’t marvel that her first book should be such a hit because that discounts all of those young and amazing authors out there—I am marveling. Her work rivals some of my favorite sci-fi authors like Suzanne Collins, Scott Westerfeld, and James Dashner. I am so glad Ms. Roth has a long writing career ahead. I, for one, plan on following it.

Monday, December 5, 2011

Review of Okay for Now by Gary Schmidt


Clarion Books
Okay for Now
by Gary Schmidt
Fans of the Wednesday Wars will be excited to see the return of Doug Swieteck, Holling Hoodhood’s former nemisis. In fact, Okay for Now is devoted totally to the story of Doug and his trials with an abusive father, a new school that features an insensitive principal and a bully for a gym teacher, a brother who is an injured Vietnam veteran, and his most guarded secret. Schmidt uses an unlikely tool, the artwork of James Audubon, to illustrate Doug’s reactions to the challenges of growing up. Despite the weakness of the title (and all of Schmidt’s titles for that matter), Schmidt manages to elegantly weave the unlikely combination of Audubon’s bird plates and Doug Sweitech’s coming-of-age into a powerful story that teens will relate to. Who hasn’t felt the need to "front" so they don’t appear to be uncool in front of peers? Who hasn’t lived in the shadow of an elder sibling? Who hasn’t longed for something better, for something more? With just a sprinkling of humor for the astute reader (for instance, no actor could ever be the President of the United States), and plenty of angst for the average teen, Schmidt’s latest offering is another satisfying hit.